Spiraltwists is a family of 2 fonts giving assorted spiral shapes. In each font they're grouped in fours - the same basic spiral in 4 different orientations (N S E W almost), and Spiraltwists has solid lines making up the spirals, Spiraltwists Antique has dotted lines making up the spirals, giving them an antique or rustic appearance. Spiraltwists has heavier spirals on Upper Case, lighter spirals on lower case; plus a group of spirals with a straightened outer end and connecting lines so you get two spiral scrolls joined together by a long line at the top or bottom. (inputting UVWXYZ into the text-box on this webpage will show it). The big example on the webpage shows it all more clearly than any explanation. A fuller description, plus the above example, are included in the zipfile. Please note: for the avoidance of doubt, the font does not contain any letters, the text in these 2 examples is not Spiraltwists but Luzaine.

»SIGMA« is the name for the Greek voiceless »S«. It is also called the »Lunar Sigma«, in Hellenistic times the letter was simplified to »C«. I thought SIGMA was a nice name for my new, very readable and friendly Sans typeface. »SIGMA« has that classical Sans beauty with friendly touches that make it unique. You will love this font. It is a great everyday workhorse with seven weights from Thin to Bold and all the necessary weights in between. Great for body copy and headlines! With 875 Glyphs it is a truly European font designed for all Central European and Latin using countries. »SIGMA« has a set of Cyrillic that is – besides Russia – also good for Serbia, Macedonia and Ukraine. It has oldstyle- and lining-, tabular- and tabular-oldstyle-figures, many ligatures. »SIGMA« comes in Normal and Oblique, I made it Oblique instead of Italic which would have been too playful for this friendly font. Enjoy!

Horizontes Script is the result of Panco’s personal experimental calligraphy project. Designed with the goal of finding a balance between spontaneity, elegance and beauty, his first typography was born and inspired on the horizon´s blue line from the city he was born. Relaxed, energic and very natural. With different alternatives of proportion, a wide range of ligatures, initial letters, terminals, floritures, Horizontes Script comes in two weight for large and small formats. “Horizontes Script” results in an ideal font for titles and short texts that find something else to show more than just words. A casual and harmonious font with strong personality. Great for projects that need to connote class and style without being too formal. Ideal for design that need to transmit warmth and humanity feel to be applied on invitations, labels, poetry, songs or thoughts. Created by Panco Sassano, under the supervision of the experienced typographer Ale Paul – in a duo work - “Horizontes Script” is the latest typeface by Sudtipos.

Core Sans D is a modern interpretation of condensed sans-serif typeface designed by S-Core and the whole family consists of 2 widths (Condensed, Normal), 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black) with their corresponding italics. Core Sans D features a condensed geometric construction and has a large x-height which enhances legibility. The family is ideal for signage, headline as well as body text. Core Sans D is a part of the Core Sans Series such as Core Sans N SC, Core Sans N, Core Sans N NR, Core Sans M, Core Sans G and Core Sans A. Letterform in this type family is simple, clean and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans D supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features.

»SIGMA« is the name for the Greek voiceless »S«. It is also called the »Lunar Sigma«, in Hellenistic times the letter was simplified to »C«. I thought SIGMA was a nice name for my new, very readable and friendly Sans typeface. »SIGMA« has that classical Sans beauty with friendly touches that make it unique. You will love this font. It is a great everyday workhorse with seven weights from Thin to Bold and all the necessary weights in between. Great for body copy and headlines! With 875 Glyphs it is a truly European font designed for all Central European and Latin using countries. »SIGMA« has a set of Cyrillic that is – besides Russia – also good for Serbia, Macedonia and Ukraine. It has oldstyle- and lining-, tabular- and tabular-oldstyle-figures, many ligatures. »SIGMA« comes in Normal and Oblique, I made it Oblique instead of Italic which would have been too playful for this friendly font. Enjoy!

Originally released in 2008, Churchward Newstype is a workhorse text family, designed by the late Joseph Churchward back in the early 2000’s. If you’re familiar with Churchward’s typefaces, you might know that he always brought a little something quirky to his designs. Churchward Newstype doesn’t disappoint. The exaggerated concave serifs make a statement that is subtle, yet gives the typeface a unique flavor. The proportions and scale of the letters lend themselves to very good legibility in text applications, and the Bold weights are strong enough for headlines. Churchward Newstype is good for text copy, and headlines, and at giant point sizes, great for adding emphasis to posters! The Churchward Newstype family has four weights, Light to Bold, with 13 degree slanted italics. Each font has a second set of tabular figures. In this updated release, each weight now has an extended character set that supports most Western and Eastern European languages.

Black Stanky a work that is purely a result of handwriting, has a natural characteristic. this is perfect for invitations, signatures, blogs, social media, business cards, product brands. Black Stanky has Stylistic standard, Stylistic Initial, Stylistic Teminal and ligatures. and includes uppercase and lowercase letters, numbers and punctuation marks. Accessed by using : OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. A Total of 362 Glyphs: Multilingual Support : ŠŒŸÐÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØÙÚÛÜÝ àñáâåäãçæìíîïòóôõöøùúûüýÿèéê뢚ߞ Ligature accesed :St dd th gg pp ff wh mm of ck on we are all wr en ex ee ve oo ox ax ss so rr ot al tt ch ll rl ct ol rt at cl az 4 alternative setst accesed : a b c d e f g h i j k l m n o p q r s t u v w x y z special greetings for all, all of us all smoothly in running the routinen

Shopping Script is designed after and inspired by my handwritten shopping list that was originally a lot less stylish, I have written each words multiple times to achieve the organic and natural flow with a bit spaced out style. This font is an existing work of mine that came in only one weight. Now I added multiple weights I as well as expanded and condensed instances, along with a weight and width variable font file that can be set to anything in between Thin Condensed to Heavy expanded. There are standard ligatures for it, jt, ll and tt, stylistic alternates for uppercase "A" and lowercase "e". For lowercase r and s there are contextual/initial variants when they are first letter of a word. A guide of open type features and how to activate them is available at https://drive.google.com/file/d/1q4j4X8ZntqgEUB8gUmflUNtmlX4IVQBq/view?usp=sharing Most latin based languages are covered from Western European to Eastern.

Burner is an advanced, connecting, wildstyle graffiti font family including over 200 unique letters, numbers & symbols. The family includes outlines, fills, details and more. Mix and match glyphs from 3 alphabets, add end pieces and more. Repeating flames, arrows & flourishes & other embellishments are included. The Burner family includes 3 full alphabets in each of the 4 styles as well as numbers, punctuation and a wide array of arrows, bars , begining & end pieces. Like some of our earlier wildstyle typefaces such as RaseOne or WildStyle, the Burner font family is a layered type system made to work as a team. In nearly any application 2 or more styles can be easily layered to create advanced, multicolor, wildstyle pieces. This layering system provides a shortcut to time consuming effects such as sharp corners & variable widths on outlines, fills & details. The original glyphs were all drawn by hand taking inspiration from actual painted & drawn wildstyles from RaseOne spanning the late 90's to about 2006.

Serat is a medium contrast flared serif with mixed up styles of classic typefaces which is highly influenced by early stages of Latin based hand writing. The lowercase are modernized versions of Carolingian minuscules, vertical stems which touch the baseline have been modified to have horizontal cut for simpler look and keep the calligraphic style for terminals & stroke ends. Then the uppercase are flared serif which were influenced by Roman inscriptional capitals. The font name was taken from the Javanese word "serat" which means writing (noun). It comes with some unique features, such as: - Carolingian style alternate for some letters (a,e,f,g,t), also comes with separated stylistic set for long 's', and long left leg 'x' and alternative ampersand. - Discretionary ligatures for all caps titling. - Standard Ligatures. - Tabular and Proportional for both Lining and Old-style figure. - Fraction with Nominator and Denominator. - Superscript and Subscript for numbers, etc. Serat would be suitable for "classic" themed work; poster, book cover, branding, videography, etc.

Babetta is a display typeface that comes with some decorative typographical features. Alongside a set of arrows and flower icons, it also includes an alternative ›E‹, some special diacritic marks, a wavy ›S‹ and a series of ligatures. It features 5 weights, a special ›Neon‹ version and supports a wide range of Latin languages. This typographical tool box provides a large and playful variety of options for headlines and logotypes. Babetta supports Latin and Cyrillic languages. The initial inspiration for Babetta was an illuminated vintage shop sign—that of a famous bookstore in Berlin called Karl-Marx-Buchhandlung that dates back to the days of East Germany. During the course of the design process, this slightly shabby historical original was kissed by an Italian Art Deco beauty and has blossomed into a new typeface with its own special charm. The aim was not to preserve the original lettering, but to use it as a starting point for typographical exploration.

The regular style of this family was inspired from the typeface used in Nuremberg, Germany, by Johannes Petreius in 1543 to print the famous “De Revolutionibus Orbium Coelestium,” the well-known mathematical and astronomical essay by Nicolaus Copernicus. Petreius was also using an original italic style, as he did for the “De Sculptura” by Gaurico Pomponio, in 1542. Unfortunately, nobody seems to know who was the punchcutter of this Jenson-style font. Also included is a title file, containing initials (without diacritics) and small caps (with diacritics). In our three styles (Regular & Italic + Titling), font faces, kerning and spacing are as closely as possible identical to the original. This Pro font is covering Western, Eastern and Central European, Baltic and Turkish languages, with standard and long-s ligatures in regular and italic styles. Both have twin-letter ligatures, but the italic style has extra (genuine) ligatures for f and t with vowels.

The motivation for Jackipur was: to achieve more openness and thus more clarity. That's why I created more clarity in the structure of the letters in order to avoid formal ambiguities that arise especially with small degrees. I found it important to open up the round letters so that they are straight and horizontal along the center and baselines so that the eye can connect the letters directly and quickly. A simple font, but neither plain nor without elegance.

Thanks for checking my font’s work, Neiva Flowers typeface. It’s postmodern script font. Neiva Flowers have a feminism styles and ethnic curves. Very perfect for adding unique and slegant character to your branding project. Also, Neiva Flowers font is suitable for wedding lettering, beautiful touch in your all graphic design. This font have two styles, regular and italic. It contains a full set of lowercase, uppercase, punctuation, numeral and multilingual support. Neiva Flowers typeface also can support your design to be more better. You can use it in lettering, wall painting, cover, advertising, invitation, card, feminism design, script lettering design and more.

Tsanger Yunhei was designed and published by Tsanger. Tsanger Yunhei contains 8 styles and family package options. The designer has made unique treatment on the shape and structure of the pen, based on the Chinese calligraphy style and writing, which makes it easier to identify under the same size of the font and group reading effect better. Tsanger Yunhei is more in line with the aesthetic habits of Chinese characters getting the reading an easy task. This font adopts GB 2312—1980 standard, with a total of 6763 Chinese characters, matching Latin letters, Greek letters, Hiragana, Katakana, Russian Cyrillic letters, etc.

Award winning 2017 font from Demark (Thailand) and G-Mark (Japan) in Graphic Design, MartiniThai Neue Slab is now available with better taste. Deltatype created a better version of MartiniThai Neue Slab V2: refined for better outline, we fine-tuned all outlines for better letterforms. Proportion were adjusted for better consistent. Metrics got new values for increased readability. Kerning, fine-tuned kerning pair for better spacing between the letters. MartiniThai Neue Slab V2 comes in six weights: Thin, Light, Regular, Bold, Extra Bold, Black. Thai Language is included in this package. MartiniThai Neue Slab is a unique slab serif in Thai Script that creates a sense of timeless and contemporary feel and is used by a media provider and nationwide in Thailand.

Tiffanky is a Classic Cursive monoline font casual and clean stoke font includes alternate lowercase and opentype features Ligatures inspired by the late 80's sign board. It support multilingual more than 100+ language. This font is suitable for logo design and any awesome project you create. Make stunning work with Tiffanky Monoline font. Give your designs an authentic handcrafted feel. "Tiffanky Monoline Cursive Font" is perfectly suited to stationery, logos and much more. Thanks for Download, Maulana Creative

Moire™ Regular is a block-style sans serif font designed by Jim Ford in the spirit of typefaces popular during the 1950's. The Moire Regular font is slightly more streamlined for a more contemporary voice than its predecessors. Moire Regular is useful for all modern display settings in signs, publications, reports and presentations. The Moire Regular font will also reproduce well in on-screen uses from User Interfaces to web graphics. Character set: Latin 1.

“Ending story” is experimental vintage font style that to speak instant nostalgic and retro sensation, it was inspired by the inscription on the shop/hotel/vehicle in the 90's era. “Ending story” will help you to create special and touching typographical design for your vintage and oldschool projects.Perfect when you place them into magazines, book cover, cafe product, newspaper titles, poster, and many more. It is really universal and modern font. The owner of endless possibilities!

Brice refers to cultural products of the 80s such as music, art, literature, fashion, dance, film, that are consumed by the majority of society population. The Characteristic of Brice are in the small bouncy serif with a dynamic contrast, like R, B, S, K, P, etc. Perfect for Logotype, Caption, & Header. Brice are available in 5 Widths (Condensed - SemiCondensed - Normal - SemiExpanded - Expanded) with matches 6 weights (ExtraLight - Light - Normal - SemiBold - Bold - Black) and support for 75+ language.

Spooktacular font family is the fusion of beatnik movement on 1950's, vintage horror movie, and vintage comics. The typeface offer the magics of open type features such contextual alternate and stylistic alternate which make the typeface looks more playful. Spooktacular comes with extra doddle dingbats to make your design looks perfect. Spooktacular Font Family best uses for headings, Logo type, quotes, apparel design, invitations, flyer, poster, greeting cards, product packaging, book cover, printed quotes, cover album, movie, etc

Atze, a handwriting script font, was designed by Ralph M. Unger for the profonts Library. Inspired by frowned-upon Comic Sans, Atze is much more pleasing, much milder and more natural. It cannot and should not only be used for Comics and children?s books but for literally all situations where a friendly, soft, casual and relaxed atmosphere is required. However: Especially for Comic books, Unger created a set of very funny Atze Bats: AAAAH ? BOOOM ? BRRRR!

Morge Knight is a retro font come with curly and rounded old 80's retro style serif. You can explore and combine creating rhythm for comfortable reading. Vintage and refined use this font for any branding, product packaging, invitation, quotes, headline, label, poster, logo etc. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Alternative Ligature Feel free to drop us a message any time and follow my shop for upcoming updates Hope you enjoy it.

Inspired by a former Hermann Zapf design, Hanse Textura was completely redrawn and redesigned as an English-style blackletter font with a calligraphic touch. It comes also with the historical long s which can be reached either by typing [alt] + b or by using the OT feature historical forms. I strongly recommend to activate both OT features, standard and discretionary, to access all ligatures built in the font. The keys pi and product are occupied with beautiful border elements.

This crisp and constructed Ludwig Wagner, Leipzig, blackletter font in textura style had been originally designed by Berthold Wolpe. Freshly redrawn and redesigned, it adds now to the treasure trove of historic typefaces. This font contains a bunch of useful ligatures, and it is recommended to activate Discretionary Ligatures too. By typing 'N', 'o' and period plus activating Ordinals you get an oldstyle numbersign. As usual in my blackletter fonts, the # key is occupied by the 'round' s.

Southside Fizz is a cocktail (made with gin, lime, mint and soda). Southside Fizz font was based on a single word in a 1930’s advertisement and my Palembang font. I did not have that many glyphs to work with, so I made most of them up. Southside Fizz became a very elegant all caps Art Deco font, quite useful for wedding invitations, books and posters. It comes with a roaring amount of diacritics as well.

This family was created inspired from the two sets of rough initials fonts used by the famous William Caxton in Westminster (GB) in the late 1400’s. As it was normal for the time, there were not any differences between I and J, U and V. It is not a mistake. We have reconstructed the few other missing characters. This font was conceived as a supplement for our 1479 Caxton but may be used with all our Blackletters fonts.

Aliens and Cows is an ultra condensed sans serif display typeface designed by Francesco Canovaro. Inspired by the title cards of 1980's science fiction movies, it features thin letterforms with a ultra wide spacing - perfect for minimal logo design and editorial display use. It features sci-fi themed alternates as well a set of lined small caps and word ligatures, and covers over forty languages using the Latin alphabet as well as Greek and Cyrillic.

Brooklyner font is based on the typeface used for The Brooklynite, a magazine which saw its heyday in the 1920's. The typeface before you is an all caps affair, making it a perfect choice for headlines, posters and ads. Since I had to work with just a handful of glyphs (11 to be precise), it took me a while to design the rest. Brooklyner font is loose, cartoonesque and very legible - and it comes with extensive language support.

There's always time for Cake! Check out my latest display font - Cake Bake. It's a fun bubble font full of character, with 70's retro vibes. An all uppercase type (alternate uppers on the lowercase keys) hand drawn for a natural flow and feel. Use this for logos, headings, book titles, quotes, or whatever you want to add a splash of cheeky fun. For good measure, I added an outline version... you're welcome. More Colt Type Co. fonts

Inspired by the idea of the plastic model kits, TCF Plastico is a modular typeface that reflects the spirit of the 60’s, the Pop culture and the industrial design of that era. Despite the very simple and straightforward geometric shapes, TCF Plastico is a very delightful and humorous typeface. TCF Plastico was designed with a couple of special OpenType features in order to ensure the connection between all of the characters, but only when necessary.

80’s technotronic meets out of this world style in Rutland AOE. From its beefy weight to its narrow counters, Rutland AOE started as a digitization of a film typeface called Maccaro by LetterGraphics. This bulky technotastic typeface was taken from its limited character set and fleshed out to include an expanded language glyph set. This interstellar alphabet funhouse screams electronica/house flyers, space games, alien invasions and more. Rutland AOE is ready to abduct your designs.

Rackem PB started as a digitization of a film typeface known as "Eightball" by LetterGraphics, not to be confused with Eightball that was released by other film type companies of a totally different look. This crazy typestyle had all the flavor it needed to make regular appearances in 70's sticker body modification ads for Chevrolet cars and trucks side panels. Loaded with hooptie appeal, it's something you really need to take for a ride to appreciate its novelty.

Proudly present Southern Clan - Retrotype, created by ikiiko. A expressive handwriting type with a 80's street graffiti shape. This type is very suitable for making a poster, t-shirt design, magazine header, brand logo, sleeve cover, party flyer, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Alternates & Stylistic Multilingual Support Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Ideal is a neo-grotesk typeface characterized by exaggerated pro­portions and an un­­con­ventional shift in balance such as in its a, k or s. Following low-contrast construction principles and with a generous x-height, Ideal works well both for expressive headlines and versatile reading sizes. The family consists of ten weights plus corres­ponding Italics. It supports languages written with Latin, Cyrillic or Greek alphabets. Each font includes fractions, tabular and oldsytle figures, arrows, ligatures and more.

Zamenhof is a family of five fonts that can be used singly or in combination to create a variety of bold, yet elegant, display styles. Inspired by Russian hand-lettering that appears to have been based on Jakob Erbar’s Phosphor, Zamenhof is essentially a Latin interpretation (with Cyrillic and Greek) of a Cyrillic interpretation of a Latin type design, with many changes along the way. (For example, all the Latin-only letters are quite different between the two designs: D, F, G, J, K, N, Q, R, S, U, V, W, Y, Z.) The Inline and Inverse styles of Zamenhof are the basic fonts and can be used effectively on their own. The Plain and Outline fonts — which I recommend using only in combination with the main designs — were created specifically to be combined with Inline and Inverse, as underlay and overlay layers, respectively. (You will need an application that supports layers, such as Adobe InDesign or Photoshop.) Zamenhof supports most European languages as well as modern Greek, and of course, Russian and other languages that use the Cyrillic alphabet. Needless to say, as Zamenhof is named after the father of Esperanto, it also supports Esperanto (as do all fonts from CastleType).

Ribfest is a new font based on lettering found on old United States currency from the 1800’s. Named after the Ribfest held in Naperville IL over 4th of July weekend each year, this font will be perfect for your next summer barbecue party. Ribfest offers three Fill fonts that can be layered behind the main open faced fonts, the regular Fill font covers the complete opening on the main fonts while the Fill T for top and Fill B for bottom gives you the option to fill with two different colors for top and bottom. The Fill fonts for Ribfest may also be used as stand alone fonts, the Fill T and Fill B fonts when layered together creates a unique look on its own. Expand your summertime fun with Ribfest and save me some of those rib’s, with extra barbecue sauce please. Special Note: When using the Opentype format of Ribfest, if you experience some letters appearing too bold at point sizes of 36 or above please install the truetype version that came with your purchase. Due to the extra detail in this font some graphics drivers may increase the boldness of the Opentype version of this font, the solution is to uninstall the Opentype and install the Truetype version.

A typical Art Deco font. I have redesigned the uppercase “S” to mach the lowercase, tweaked a little here and there - and completely redesigned all the diacritics (which didn't really match the letter designs). Nick Curtis says: "The inspiration for this font came from a poster for an Austrian trade show from the 1920s, credited simply to Wasserman." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

RSVP Brush is a fresh, bold, confident brush font. The bigger the better... great for posters, signs, a headline or a small block of copy. Versatile and quirky. Turn on Contextual Alternates in supporting programs so multiple letters do not repeat. Big. Bold. Brush.

Only You is handmade, and specially romantic. It was made to brighten your projects, turning everything more beautiful. The special encounter between uppercase letters and lowercase letters is perfect. Only You is unicase, with 888 glyphs, and what’s better: it has one special alternative for all letters as uppercase, and that creates an infinity of combinations. Only You is brilliant, gorgeous, and multilingual - it also includes the Cyrillic version! It has more than 200 ligatures, several alternates and swashes. You can also obtain an unlimited number of possibilities in your layout - there are several possibilities for starting and finishing a word. Do you want some more? You should take a look at Only You Icons with more than 300 options between icons, ribbons and frames that will make your project very attractive and romantic. The font doesn't have PDF and works better in softwares that support the complete OpenType function.